Nurturing Hope: Christian Pastoral Care in the Twenty-First CenturyThe Power of ListeningJoy Together: Spiritual Practices for Your CongregationSabbath Keeping FastingPrayers of the Old TestamentPrayers of the New TestamentSabbathFriendingA Garden of Living Water: Stories of Self-Discovery and Spiritual GrowthA Renewed SpiritualityDeath in Dunedin: A NovelDead Sea: A NovelDeadly Murmurs: A NovelPersonality Type in CongregationsBeating Burnout in CongregationsReaching Out in a Networked WorldEmbracing MidlifeAdvent DevotionalDraw Near: Lenten Devotional by Lynne Baab, illustrated by Dave Baab

Creative prayer: Art as symbol and metaphor

Wednesday February 27 2019

Creative prayer: Art as symbol and metaphor

I fell in love with Australian aboriginal art the first time I saw it as a young adult. I love visual patterns, and aboriginal art is full of them. A highlight of our first trip to Australia in 2001 was the art museums and art galleries where I got to see a lot of examples. I bought a book about aboriginal art and learned that many pieces are actually maps, representing the land forms, human settlements, and animals of specific places.

In 2011, my husband Dave and I began a new habit which we have continued. Several morning a week we pray silently together for 20 minutes. We do it in the late morning when I am ready for a break from working in my home office. In the first few years of that practice, I often picked up a book of art prints and prayed using the prints. Last week I wrote about doing that with paintings of biblical scenes.

One morning during our silent prayer time I picked up my book on aboriginal art. I thumbed through it, marveling at the shapes and colors, thanking God for the creativity of aboriginal artists. My eye landed on a 1987 painting called Emu Dreaming by Darby Jampijinpa Ross. You’ll see the painting at the top of this blog post. For many months, Emu Dreaming stimulated my prayers in unexpected ways.

I know that my interpretation of the painting bears no resemblance to the intent of the artist. I find myself hoping that my great love for the painting would please Darby Jampijinpa Ross anyway.

You’ll notice a circular center with eight wavy lines coming out of it. Seven of the eight lines end in a  spiral. In New Zealand Maori art, that spiral is a symbol of new life, modeled on fern fronds in the spring. In my symbolic interpretation of the painting, the circular center of the painting is God. The eight paths are various things we do in our lives. If we want the freshness of new life, we have to say connected to the center.

However, one line moves from the center to the upper right of the painting without ending in a spiral. This helps me accept that sometimes even when we are connected to the center, our actions don’t bear good fruit that’s visible to us.

The three black circles that are detached from the center circle represent to me the good things that God can spin off of our actions, blessings and good fruit that originate in our God-centered actions but take on a life of their own apart from us.

Between the wavy lines that are connected to the center, we can see eight sets of straight black lines with what looks like arrows on either side of the straight lines. The arrows are pointing away from the center. To me, those arrows represent the deep truth that when we get disconnected from the center, so many forces within us and outside of us want to move us further and further from the center.

Emu Dreaming has called me, over and over, to stay connected to the center. My center is God in Christ, experienced though the guidance and power of the Holy Spirit. The painting has helped me pray about the connectednesss of components of my life. Are various aspects of my life connected to the center, or are they actually like those thick black lines that want to draw me away from God? The painting has helped me evaluate and pray about habits, Christian ministry, and the relationships that shape and sustain me.

The painting has called me to confession. It has helped me renew, over and over again, my commitment to stay connected to the center so that I might experience new life in the various components of my life. It has helped me accept that sometimes – not often but sometimes – I engage in actions that result from my connection with God, but good fruit is not visible.

Thank you, creative God, for Darby Jampijinpa Ross and other aboriginal artists in Australia who delight me with the patterns they have painted.

(Next week: creative prayer for creation care. If you’d like to receive an email when I post on this blog, sing up under “subscribe” in the right hand column of the whole web page.)

If you’re looking for a devotional for Lent (which begins in one week on March 6), consider the online devotional I co-wrote for our church. It focuses on creation care as a hopeful Lenten practice. Each week’s lesson begins with “walking with Jesus,” and each week offers numerous additional components: Scripture; suggestions for prayer; links to music, art and poetry; ideas for families; and options for further learning. It’s beautiful to look at, with my husband Dave’s paintings illustrating each lesson.



Next post »« Previous post

Comments